Newspapers of the era faced a chronic scarcity problem: advertisers all competed for the same premium page positions -- top of column, next to reading matter -- and publishers tried every conceivable allocation scheme to manage it, from rigid rate-card premiums for guaranteed placement to elaborate rotating makeup patterns nicknamed 'stepladders, pyramids and checkerboards.' Whatever the scheme, some advertisers ended up privileged over others, and the unfavored ones had a standing grievance against the paper.

The Chicago Daily News had built its identity around refusing exactly this kind of preferential treatment since its 1875 founding.

Refused to sell fixed positions, rotating ads so readers never learned where to look, which erased the premium's value and made every spot equally effective.

Fixed positions gain value from readers' habitual scanning patterns.

By rotating ads, no location becomes habitually associated with an advertiser.

Without learned locations, all positions draw equal attention, eroding the premium.

Rotation gives every advertiser both good and bad spots, ensuring fairness over time.

If a resource's value comes from predictable placement, eliminate the predictability to equalize access without favoring anyone.

The paper's own account states that advertisers who used the Daily News did so 'year in and year out' despite -- or, in the paper's telling, because of -- never being able to buy preferential treatment. This specific claim comes from the company's own contemporaneous statement about its practice rather than from independent trade reporting, though it is consistent with the uniform, no-special-treatment advertising philosophy independently documented as the paper's founding approach eighteen years earlier.

FOLLOW THE EVIDENCE

The sources

  1. The Chicago Daily News: The Problem of 'Position' (trade advertisement) Printers' Ink, vol. 103, no. 5 (the Chicago Daily News's own account of its practice) · archive.org
  2. History of the Chicago Daily News History of Chicago (Rufus Blanchard, 1900), via Chicagology · chicagology.com